Fantasist's Scroll

No wonder I never got paid for this!
Apparently, Rob Kuntz never did finish the planned modules that I did maps for in Campaign Cartographer. And, of course, I did them knowing I would not get paid until they were published. So, since they were never published, I was never paid. Now, apparently, he’s selling his entire stash of gaming stuff, including the Barbarous Coast Maps.
Even though I have them posted here on my site, Rob retains all rights to them. Insist on getting them signed, if you can manage it, since, in my opinion, that’s the only way the printed maps are really worth anything.
Gaming is a tough business and I’m sorry that it looks like Rob has hit a money crunch and needs to sell his stuff. Go check it out and buy something, if you can. He’s a great guy and I’m sorry to see him having to do this.
Good luck, Rob.

Actually, it’s Sir Aurthur Conan Doyle’s birthday.
But, since he is Dr. Watson, and Holmes, too, in a way, well… Anyway, this comes from the Writer’s Almanac:

It’s the birthday of novelist and short story writer Arthur Conan Doyle, (books by this author) born in Edinburgh, Scotland (1859). Conan Doyle studied medicine at the University of Edinburgh where he met Doctor Joseph Bell, whose amazing deductions about the history of his patients fascinated the young student. After completing his studies, Conan Doyle served as a ship’s doctor on voyages to Greenland and West Africa, and eventually opened his own practice. In his spare moments, he began writing. Calling on his memories of Doctor Bell, Conan Doyle created a detective who used his great powers of deduction to solve crimes. The first such story, A Study in Scarlet, introduced the detective Sherlock Holmes and his sidekick, Doctor Watson, in 1887. All told, Conan Doyle wrote 56 Sherlock Holmes stories and four Holmes novels.

(And, yes, this also appeared on my other blog, Diary of a Network Geek.)

More art!
Yeah, I seem to be stuck in a “water and rocks” phase, but that’s mainly because the free version of Vue d’Espirit that I’m using has very limited materials and objects from which to choose. Still, it is fun to mess around with now and again. I’ve been thinking “nature themes”, lately, but I’ve also been messing around with some more, well, abstract stuff as well. It’s a little strange, like most modern art, and, again, defined somewhat by my limited toolset, but, I think it’ll turn out okay. In the meantime, you can enjoy this simple scene.

I know why I have such trouble starting stories.
The answer came to me while reading someone else’s blog: Chad Fowler. He was talking about the book he’s working on and his observations of other people who want to write books. His observation, which I thought was dead on accurate, was that most people wanted to have written a book, not to go through the process of writing a book. I think many people dream of being a writer, but few dream of the work involved in writing. There are times that I can sympathize with that.
But, my problem tends to be indecision. I have a hard time picking which story is worth writing. Or, which story is most worth writing. So, I fret over which one to start until it just doesn’t interest me any more, or until I come up with enough pre-writing requirements, so that I never actually get to the writing part. Hmm, that therapy stuff must be making me more insightfull or something. Damn. One less excuse.

I need strange, metaphorical symbols.
I’ve been thinking about surreal imagery lately. Things like the anthropomorphic caterpillar from Disney’s version of “Alice in Wonderland” and the dancing mushrooms from “Fantasia” keep popping into my head as wonderful symbols of some strange story that’s hiding just below the surface of the “real” story. And, too, William S. Burrough’s work with the exterminator/giant cockroach theme has been a frightening inspiration as well. Not to mention the “bug” in Kafka’s “The Metamorphosis”. So, I’ve been thinking about doing something similar. Taking a list of semi-random symbols and imagery and mashing it into a story. And, I’m going for something very Dali-eseque, but in a literary sense. Of course, the challenge is to get the symbols to use. The stranger, the better, I think.
And, now, gentle readers, here is my plea: Give me your wildest ideas in the comments. Suggest the strangest, most disturbing, funniest, most unusual symbolic references you can think of. As long as we keep it “family friendly”, anything goes. But, you have to give me their “true” meaning, as well. For example, “A giant, talking, anthropomorphic caterpillar => The main character’s SuperEgo”. (Actually, that may just be where I start…) So, there we are.
I’m open to suggestions!

Yep, that’d be me.
I did this with a free version of a neat 3-d program called Vue d’Espirit. And, I did it all myself! I’ve really always wanted to do this kind of thing, but, well, personal reasons kept me from getting into it. If I showed too much interest, it was frowned upon by someone I cared about, who saw it as a kind of competition. Which is sad, really, because we could have had fun doing this together. Or, maybe not. In any case, it’s something that has interested me and, when I saw this free version in a magazine, I decided to play around with it. Not bad, considering it took me about an hour and I used nothing but free software.

Today is the birthday of one of the greatest diarists in the English language, Samuel Pepys.

He was, born in London on this day in 1633 to a tailor and a washerwoman. However, thanks to an upper-class cousin who helped him get into good schools and got him government jobs, Pepys managed to work his way up from his humble beginings at a time when it was almost impossible to do so in England.

Pepys began his diary in 1659, a diary he would keep for almost ten years. No one knows what inspired him to start it, though it wasn’t unusual for well-educated men at the time to keep a diary. He was also a well-known collector, collecting such varied things as ship models, scientific instruments, portraits, ballads, money and women.  In fact, some critics see his diary as an attempt to collect his whole experience of the world.

What made him unique, however, was that, as far as we know, Pepys was the first Englishman to fill his diary with descriptions of his most personal and ordinary experiences: his aches and pains, what he liked to eat, going to the bathroom, his marital love life, and his extramarital affairs, graphic details that novelists wouldn’t start incorporating into their work for more than two hundred years.

An on-line version of his diary is available for viewing at PepysDiary.com.