Fantasist's Scroll

I know why I have such trouble starting stories.
The answer came to me while reading someone else’s blog: Chad Fowler. He was talking about the book he’s working on and his observations of other people who want to write books. His observation, which I thought was dead on accurate, was that most people wanted to have written a book, not to go through the process of writing a book. I think many people dream of being a writer, but few dream of the work involved in writing. There are times that I can sympathize with that.
But, my problem tends to be indecision. I have a hard time picking which story is worth writing. Or, which story is most worth writing. So, I fret over which one to start until it just doesn’t interest me any more, or until I come up with enough pre-writing requirements, so that I never actually get to the writing part. Hmm, that therapy stuff must be making me more insightfull or something. Damn. One less excuse.

I need strange, metaphorical symbols.
I’ve been thinking about surreal imagery lately. Things like the anthropomorphic caterpillar from Disney’s version of “Alice in Wonderland” and the dancing mushrooms from “Fantasia” keep popping into my head as wonderful symbols of some strange story that’s hiding just below the surface of the “real” story. And, too, William S. Burrough’s work with the exterminator/giant cockroach theme has been a frightening inspiration as well. Not to mention the “bug” in Kafka’s “The Metamorphosis”. So, I’ve been thinking about doing something similar. Taking a list of semi-random symbols and imagery and mashing it into a story. And, I’m going for something very Dali-eseque, but in a literary sense. Of course, the challenge is to get the symbols to use. The stranger, the better, I think.
And, now, gentle readers, here is my plea: Give me your wildest ideas in the comments. Suggest the strangest, most disturbing, funniest, most unusual symbolic references you can think of. As long as we keep it “family friendly”, anything goes. But, you have to give me their “true” meaning, as well. For example, “A giant, talking, anthropomorphic caterpillar => The main character’s SuperEgo”. (Actually, that may just be where I start…) So, there we are.
I’m open to suggestions!

A working title helps me write.
When I was a kid in grade school, I knew I wanted to be a writer. It was the Fifth Grade, in Mrs. Ploen’s class, that I first started writing creatively and recieving praise for doing so. That was the same year that my older brother got tired of telling me about the science-fiction books he was reading and shoved Ringworld into my hands to read for myself. It was, as you might imagine, a pivotal year.
I still go back to the method of writing that I learned that year. Our teacher would write a title on the board for us and demand a story. I’m sure there were minimum requirements in pages or words or both, though they escape me now. That was our only constraint, however, that title. We could make our story into anything we wanted, as long as it had something to do with the title we’d been given. I managed to take “My Adventure At The Circus” and turn out a fantasy piece about a boy going to an underground kingdom of dwarves where he became the fated saviour of their entire way of life. Not bad for a kid in the Fifth Grade. Heck, there was even a recognizable plot. That’s more than I can say for some of my later work, frankly.
I still go back to that technique because it’s usefull for getting me started. These days, I may change the title when I’m done, but using that kind of working title gets me started, which is often the hardest thing in the world for me. This is a method that can work for you, as well. You can come up with a title in many different ways. You can use my very own Story Starter, or you can simply use a cliche. (Here’s one list of Cliches and Weak Phrases by Jessica Page Morrell to get you started, if you need help.) So, pick a cliched working title and then start to write a story. If nothing else, it will get you started writing something, which is the only way to produce anything. If you’re lucky, it will give you a story that can be worked into something for sale. Just don’t forget to change the cliched title to something that works better before you send it off!

So, what are you waiting for? Get writing!

Does your writing have a sound track?
When you write, can you hear music in your head that matches the scene you’re writing? Frankly, I’d be suprised if you don’t. Maybe when you hit a stumbling block or a “tough scene”, the music fades away, but when things are rolling along, if you pay attention, I’ll bet there’s music up there. In a way, it’s almost inevitable, given how pervasive movies are in our culture. I know, for me, when I’m writing an action scene, I always hear music that matches the scene. And, what’s more, that musical score is influenced by movies that I’ve seen recently. For the longest time after seeing the Professional for the first time, every fight scene I saw in my mind’s eye was set to ethereal opera. And, then, after seeing some other movie, it was smooth jazz that provided the counter-point for all the action.
And, sometimes, when I need to capture a certain feel in my writing, I’ll put on a particular kind of music. Sometimes it’s quick, sometimes slow, but almost always it’s different from how I’m feeling when I try to write and can’t quite get it. In my case, I know that music really effects my work because of my love for movies. Often, I’m trying to capture something with words that I can see in my head as clearly as if I’d seen it on a movie screen. One of the highest compliments I ever recieved was in writing class when the teacher told me that I had a very cinematic style of writing. (Though, in retrospect, I’m not sure he meant it as a compliment.)

So, here are three creativity exercises to try:
First, randomly pick a piece of music, play it and try to write what you feel when you listen to the music.
Second, pull out a story or scene that has given you trouble in the past. Now, put on some music, or different music than what you normally play while writing, and try to rework the piece with the different music setting the tone.
Third, as you write, or plan, your story, plan what music should be playing if someone were to make the story into a movie. Write, or rewrite, with that in mind.

But, most of all, keep writing!

I know a few things about human nature.
It may only be a few things, but they can be important, especially in fiction writing. When I was in high school an English teacher told me that the most dangerous people are those who feel they have nothing to lose. Think about that for a minute. It really makes sense. If a person feels like they have nothing left to lose by taking an extreme measure, of whatever kind, then what would stop them from doing it? What’s left to lose? Nothing, so there’s everything to gain.
And, anyone backed into a corner is libel to fight. That’s a two edged sword, though. First of all, it seems obvious that a person will fight if they’re forced into it. Nothing all that remarkable there, right? Well, take that with the other statement and you’ll see that a combination of these two things can make for a deadly opponent. Secondly, can you imagine a person who would NOT fight when backed into a corner? Why would they not fight? What could make them so deviate from the “normal” response?

In both cases, you have potential for great characters. Imagine a tragic hero who loses everything and feels that they must strike back. Surely they will make a formidable foe who will not rest until justice is served. Or, suppose that it’s a villain. Truly, an understandable, possibly likeable, antagonist who will devil the hero endlessly. Great plots there.
But, the more interesting is the “hero” with a learned helplessness syndrome. How can they win with so much going against them? What makes them panic and how do they go about avoiding it or dealing with it? Lots of room for character development there.

So, enough about human nature, go forth and write!

Not one of mine for a change, though.
Nope, this would be Faith In Fiction, which is a blog run by a fiction acquisitions editor at a Christian publishing house. He looks at the fiction publishing world from a view few of us get to see. And, he talks about good fiction, faith and how the two can work together. Really, it’s an interesting idea for a blog.
One of the things I found interesting was that Christian authors deal with all the same issues that non-religious authors do. You don’t get a “free pass” just because you’re writing faith-based work. Of course, I knew that, but I don’t think a lot of aspiring Christian writers think about that. Generally, I get the impression that they think the message should be enough and editors should work out all that details, like grammar and spelling. And plot and characterization. You get the idea. So, it’s refreshing to see someone encouraging Christian writers to write, but to write good fiction, not just anything. I’m sure part of the idea is to cultivate a decent source of publishable talent, but I still like the idea of targeting that particular audience. Hmm, maybe I’ll even try writing for that market segment.

Okay, so I’ve been reading a lot of Christopher Moore lately!
It’s the upside to travelling for work, actually, having all that time to read on the plane or in airports. I took advantage of it to read another delightful tale by Moore, titled The Lust Lizard of Melancholy Cove. Obviously, the story is about a large lizard, but it’s not quite what you might think. It’s actually a love story.
The story follows the antics of Moore’s favorite fictional town as the local psychiatrist decides to make up for past apathy by putting all her patients on sugar-pills instead of their regular medication. Throw in a giant sea-lizard, a hidden drug lab, a Mississippi Blues man, and a former B-movie star and you get classic Moore. This time around we get to see some old friends from Practical Demonkeeping, too, like Howard Phillips, occult owner of the local diner and “The Hammer/Nailgun”, super-geek police computer specialist and source of lots of interesting information. Oddly enough, the main “love story” is between the fallen movie star and the sea-creature. Though, there are actually several love stories going on all at once. There’s a little bit of everything in The Lust Lizard of Melancholy Cove and so many sub-plots it’ll make your head spin. But, in a good way.

And again, there’s that underlying current of a spiritual search. A search for meaning and love in a sad, drab world. Surprisingly, despite opening with an apparent suicide and lots of mental anguish, including a somewhat dark look at psychotherapy, it’s really an upbeat and fun book. As always, Moore manages to tie everything together and end on a rather happy note. Again, The Lust Lizard of Melancholy Cove is a great book, like everything by Christopher Moore, and I cannot reccomend it enough.

I love Christopher Moore’s writing!
Of course, that’s neither anything new or particularly startling since he’s a best-selling author. He writes mainly light comedic fantasy, which is just what I need these days, so I’ve been churning through quite a bit of his work. One of the things that I like about Mr. Moore’s work is that he always seems to have an undercurrent of spirituality in all his work. Coyote Blue is no exception. The “hero” of Coyote Blue is a severly repressed Crow (from the American Indian tribe, not the bird) named “Samson Hunter”. Though, actually, his real name is Samson Hunts Alone. He’s living in the White world, hiding from a terrible secret he left behind on the Crow reservation. And, he’s one of Coyote’s chosen. Of course, in his “White” persona, a chameleon-like insurance salesman, he denies everything Crow, including his family’s association with the traditonal trickster god.
Unfortunately for him, his shaman uncle is still looking for Samson. And Coyote hears the call. As you might have guessed, when the trickster god takes an interest in your life, things get a little confusing. Not to mention dangerous. It all works out in the end, of course, though someone dies and poor Samson’s life is completely torn apart. Oddly enough, it’s a happy ending.

Well, I won’t spoil the book with too much plot, but Moore takes us on a journey of rediscovery and spirituality. One of the things I liked about the book was that it was a non-standard, non-JudeoChristian exploration of spirituality. And, from what I’ve read of American Indian religion, it’s fairly accurate, too. It’s both fun and funny. Coyote Blue was light-hearted enough to make it a pleasure to read, but deep enough to keep me coming back for more. I heartily reccomend it.