Fantasist's Scroll

I just re-read this last week.

How to Write Science Fiction & Fantasy is good enough that I’ve read it three times now and I still picked up something new. In fact, I always pick up something new when I read it, or almost anything else about writing.
This book, though, is different. For one thing, it’s fairly focused on speculative fiction, which is just a euphemism science-fiction and fantasy. Also, the author, Orson Scott Card, is not only a writing teacher, but also a Hugo and Nebula Award winner, so he really does know what he’s talking about. But, beyond that, it’s a damn fine book. So, I’ve read it again, after two years, and this time, I’m doing a bit of a review.
If you’re just starting out, this is a great book to start get you started the right way. If you’ve been at this for a bit, it’s still a great book to read, because it will show you some things that you may not have noticed about writing speculative fiction. At the very least, it’ll be a good refresher course for you. I know that I use the MICE “rule of thumb” when I look at my own story ideas, such as they are these days. This book really taught me quite a bit about making realistic fantays settings and, I think, contributes to the strength of my story, The Chrome Girl.
In any case, I cannot reccomend How to Write Science Fiction & Fantasy enough. It’s well worth the price.

Do you journal?

I have in the past, in the “real world”, that is. Blogging is a journaling of a sort, but not the kind that I mean. When someone asks me if I journal, they’re asking me if I record my innermost thoughts on paper. They’re asking me if I write to excise the demons of my heart, mind and soul by opening a vein and pouring ink onto the pages of a book that no one else will see. As I mentioned, I have done that in the past. I often toy with the idea of starting again.
And, I have to admit, I lust after a particular notebook to journal in: Moleskine. If you haven’t seen these gems, find them. Fondle one and you see why anyone who has done any kind of journaling has longed to have their words recorded in these notebooks. The paper is creamy and soaks up the ink. The black, oil-skin covers feel soothing in your hand as you open them, inviting you to write. You can imagine Hemingway or Joyce or even Wilde pouring out their thoughts and adventures into these beauties. Moleskines make you want to journal. So, the other day when I was searching around for things on the web and found them again… Well, let’s just say that I started to think about journaling again.
If you’re looking for an excuse to journal, these would be it.
Moleskine Large Ruled (lined) Notebook
MOLESKINE Large Ruled (lined) Notebook – quantity 2
MOLESKINE Pocket Ruled (lined) Notebook
MOLESKINE Pocket Plain (no lines) Notebook – quantity 2

Go take a look, it’s worth it.

This was a GREAT book!

Okay, regular readers of this blog know that I’m an amatuer writer with delusions of granduer. But, for those of you who are new, I want to write. What that means, though, is that I’m always reading books to help me with my writing, in one way or another. This past week I read Creating Short Fiction : The Classic Guide to Writing Short Fiction, by Damon Knight. This book is an all-around, kick-ass writing book. Damon Knight, though famous for his science-fiction writing, really hits all the bases in this one book. He covers, if lightly, everything from the creative process to editing to submitting your work. If it relates to writing, it’s in there.
I admit, I got this book because it was: a) on sale, b) short, and c) written by Damon Knight, who’s a great science-fiction author. But, this book only touches on science-fiction, as well as several other genres. Mainly this is just a really good book on writing short fiction. And, let’s face it, most authors start in short ficition before they get anyone to look at their longer work. It’s just how it is. So, writing short fiction is something that almost every fantasy or science-fiction writer will do at some point in their career.

So, if you’re looking for a refresher, or if you’re just getting started writing short ficiton, this is a great place to start. In fact, I got so excited about this book, I wrote a “So you’d like to…” guide over at Amazon.com, called So you’d like to write “speculative fiction”. Check it out!

I finished The Freemasons: A History of the World’s Most Powerful Secret Society by Jasper Ridleylast week.

As a Freemason myself, I found the book quite interesting. First of all, it looks at masonic history from the perspective of a what is known and concrete, not with any real speculation at all. It’s a very, very scholarly work which included a significant bibliography.
Secondly, it was written by a non-Mason. While that, in itself, is not remarkable, what is special about that is that the author maintains an even-handed look at masonic history. He sticks to the facts and was actually quite enlightening in many areas, at least to me.
Thirdly, the book covers quite a bit of history, but it completely discounts the claims that some authors have made regarding Freemasonry being descended from the Knights Templar. This is, oddly enough, unusual these days. It seems like the majority of books lean the other way. Jasper Ridley, though, maintains that the simplest explanation is, in fact, correct. That the story we’re told from the Grand Lodge is right. Namely, that the Freemasons are an outgrowth and offshoot of the original working, or operative masons, who were essentially an early trade union.
Finally, as Mr. Ridley sums up at the end, he gives the Freemasons a fairly good endorsement, which we can surely use for a change!

If you have any interest at all in the history of Freemasonry, this is an excellent place to start. I wish I’d read it first, before all the others that I’ve gotten into this past year or so. But, if you’ve only a passing interest, there are other, easier books to read. As I mentioned at the beginning of this review, this is a rather scholarly work.

I finished Iron Council by China Mi�ville last week.

It was good, but not quite as good as his last two.
This one dealt with an attempt to run a transcontinental railroad across Bas Lag, home of New Crobuzon. Something goes wrong and the people building the railroad rebel and become their own, moving, city. While the idea is interesting, and the descriptions of magic and struggle are compelling, the book focuses elsewhere. Specifically, it seems as if Mr. Mi�ville has a social message to impart to us. A rather anti-capitalist, socialist message.
While there’s nothing wrong with that, per se, it does take away from the story in this case. The book seems less about exploring the world of Bas Lag than either Perdido Street Station or The Scar . It is not, by any means, his best effort.
However, it was a good book. I certainly enjoyed the previous two more, but I was not sorry that I bought Iron Council and read it.

If you’re already a fan, Iron Council will be worth it. But, if you’re new to China Mi�ville, it would be better to start with either Perdido Street Station or The Scar .

Wondered where we’ve been this Summer?

Well, besides changing jobs, I’ve been reading. One of the books I read was The Chanur Saga, though I didn’t read it all at once. This is actually an “omnibus” of the first three books in the Chanur series. There are, to my knowlege, two more. Now, I have to admit, this is not my “usual” kind of book. I like science-fiction, but I often have trouble with female writers because they focus on things that don’t often interest me. (In otherwords, they write romance novels in space or fantasy settings!) But, my wife read these and really liked them, so I gave it a shot. Boy, am I glad I did!
More along the lines of a “space opera” in the fact that the author, C. J. Cherryh, didn’t focus on the hard-science aspects of the Chanur universe, but instead on the “people”, mainly aliens, who live there. The story through out the three books in the “omnibus” follow the discovery of humanity by the Compact, which include a lionlike race called the hani. The Chanur are a clan of hani who have a trading spaceship who take in a castaway human, who’s lost in Compact space. Along the way, we meet the mahendo’sat, the stsho, the chi, the t’cha, the knnn, and the kif, who are all members of the Compact and have their own ideas about what to do with humanity. The kif are the bad guys, generally, but each race has their own goals regarding this newly discovered race. All in all it’s fairly interesting and entertaining.
One of the things I like the best is that Ms. Cherryh uses language and language barriers effectively and realisticlly in her work. We’ve got a bunch of races with various languages among them all trying to work together, and take advantage of each other, without having too many misunderstandings. At times, it makes for very entertaining reading! And, it provides quite a bit of food for thought for my own work in this regard.
Very well done and I look forward to reading the next two in the series!

I finished The Descent by Jeff Long the other day.

I liked it!
It’s actually in the Horror section of the bookstore, but I didn’t really feel the horror aspect of it that much. In a nutshell, mankind discovers an extensive system of natural tunnels under the Earth and they’re inhabited. The inhabitants aren’t all that friendly. Mayhem ensues.
There are actually some interesting plot twists along the way, but it’s pretty much some straight-on adventure fiction. Not the highest quality, but pretty good. And, most importantly, fun.

I finished Describing Morphosyntax : A Guide for Field Linguists this week.

I wish I could reccomend it whole-heartily and without reservation, but I just can’t. First, it is a very techinical book. When this book was reccomended to me, it was with the idea of learning various aspects of language so that I could create a more realistic conlang. And, it will do that, I have to admit, but it will help me as a reference book. So, imagine reading a dictionary of linguistic terms with some examples, primarily in languages that you’ve never heard of before. (Well, okay, that part is actually cool. Some of those languages were really interesting!) Not the easiest thing to read.
Second, it reads like a textbook, which, of course, it is. At least, of a sort. The author intended this to be a guide for amatuer linguists in the field trying to save dying languages. And, I’m sure it serves that purpose quite well, if those linguists have a fair amount of linguistic study under their belt already. This is definately not for the first time linguistic reader. I have read several books on linguistics and I still found myself overwhelmed more than once.

So, while it was certainly a challenge for me to get through, I will absolutely refer back to sections of this book while working on conlangs. It really presents information and ideas that no other book on linguistics seems to touch. A little dry at times, but worth the effort.
In short, Describing Morphosyntax is not for the begginer, but the dedicated amatuer linguist or conlanger (conlinguist?).