Fantasist's Scroll

I missed posting on Friday.
Normally, I have a Friday Fun Link post of some kind, no matter what is going on, but I missed it this Friday. But, I had a few too many things on my mind, so I missed it this time around. You have my deepest apologies. I promise there’ll be something there this Friday.

According to Writer’s Almanac we have three birthdays to celebrate today.

First, there’s novelist Herbert George (H.G.) Wells, who was born in Bromley, England in1866. According to the note I got from Writer’s Almanac, Wells had a job writing biology textbooks until he developed a respiratory illness in his late 20s. Since he thought he didn’t have long to live, he left his wife and ran away with another woman, after which he began writing furiously. In roughly three years, he published all the novels for which we know him: The Time Machine, The Island of Dr. Moreau, The Invisible Man, and The War of the Worlds.

It’s also the birthday of the novelist Stephen King, born in Portland, Maine in 1947. His father was a merchant seaman who left the family when Stephen was just two. He has no memories of his father, but one day he found a whole box full of his father’s science fiction and fantasy paperbacks, and that box of his father’s books inspired him to start writing horror stories.
He was working as a teacher when he wrote his first novel about a weird high school girl with psychic powers named Carrie White. He gave up on the book at one point and threw it in the trash. His wife rescued it. Carrie was published in 1973. The hard cover didn’t sell well, but then his agent called to say that the paperback rights had sold for $400,000.

Lastly, but, perhaps, most importantly, today is the birthday of the man who first put high quality literature into paperbacks, Sir Allen Lane, born in Bristol, England in 1902. He was the founder of Penguin Books.

Finally, a personal note. I am not evacuating during Hurricane Rita. I have nowhere to go, really, so I’ll stay and brave it. I’ll blog, as long as I have power and an Internet connection, at Diary of a Network Geek, my other blog. Take care!

Ever wanted to make your own language?
Well, if you’re like me, you have, but you may not have always known how to go about it. Don’t worry, there are lots of places on the web to help you figure out what you need to know! Of course, I’ve mentioned LangMaker.com here before, but just recently I came across the KICKS Academy Fictional Linguistics on-line course. It’s an easy “course” of material on the web that you can take at your own pace. They have plenty of references and handy worksheets to help you get through the design of your first language. They cover everything you need to know here, though, if you really enjoy yourself, you’ll probably want to branch out into some other, less traditional, areas of linguistics.
I think you’ll find it to be lots of fun, once you get started.

I can’t believe I’ve never written about this before!
At least, I couldn’t find anything about it when I searched for “font”. Anyway, this is a super cool little toy, even though it’s Java based, that lets you create your very own random and unique TrueType font. It’s some kind of art experiement or something, but, as far as I’m concerned, the Alphabet Synthesis Machine is just plain cool and fun. Of course, you can loose hours without realizing it playing with this sucker.
So, it’s a perfect way to waste time on a Friday afternoon!

I saw a strange story…
Okay, a really, really strange story, on BoingBoing, about a woman breast feeding two tiger cubs in South East Asia. Obviously, after trying to picture this scene in my head, what I pictured was a kind of Asian Romulus and Remus story.
If you’re not familiar with these two fine lads, according to legend, they were twins who were raised by a wolf bitch and went on to found Rome. Imagine the same thing, but with a tiger in Asia somewhere. I can see a small, island country, not unlike Singapore, that has this as their “creation” myth. It’s similar to Romulus and Remus to resonate with Western readers, but different enough to be interesting and exotic. And, possibly, not immediately recognizable, either.
Dang! I keep giving you guys these ideas and what I need to do is develop one of them myself! Ah, well, maybe the next one.

No, actual menus!
Have you thought that much about the details of any fantasy world that you’ve created? Sure, you have a language and a history and even a legal system for your freshly minted culture, but what do they eat for lunch? Well, if you haven’t thought about this, it’s not a bad idea to flesh it out. Luckily, you don’t have to go it alone. Over at the Zompist Web BBS, Dewrad has a thread started for just this topic called, Concuisine. Also, if you’re not familiar with this place, it’s a great source of information about any number of topics. And, there’s always someone willing to chat with you about ideas, even if they’re half-baked.
Go check it out!

I finished reading Industrial Magic this week.
It wasn’t my usual fare, but it wasn’t bad. Probably not good enough to hunt down more of the series, but not bad. Honestly, the title is what got me. If I’d actually read the back cover, I probably wouldn’t have bought the book at all. I categorize this type of book as, basically, “chick lit fantasy romance”. But, again, that being said, it still wasn’t as bad as some of the stuff out there. For instance, I liked it better than Obsidian Butterfly, which I couldn’t even read past the first two chapters. When I read trashy fiction, I don’t want to read endless conversations with the main character’s old boyfriends, or potential boyfriends, or whatever. I want action. Plain and simple. I want something to be happening. I want plot based on events going on, not semi-romantic thoughts and feelings. In that regard, Industrial Magic delivered.
The basic plot is that a killer is stalking the heads of semi-secret magical Cabals, who are the sorcerous rivals of the more feminine, and witch-run, Covens and must be stopped. (So, yes, this really could have been a simple murder mystery without the magic, but, well, I guess that wouldn’t be as fun or sell as well.) The main character is a witch, Paige Winterbourne, who used to run a big Coven, but, in an earlier book, lost that position. Her love interest is Lucas Cortez, heir to the Cortez Cabal, but who is a crusading lawyer that fights the Cabals. It’s that connection that gets them drawn into the plot. They’re trying to find, and stop, the killer. And, to avoid spoilers, I’ll stop describing the plot there.
There’s magic all over the book, but, mainly, as a prop. Light spells being used instead of a handy pocket flashlight. Binding spells instead of a stun gun. Necromantic conversations instead of a CSI-type crime lab. Everything they used magic for could have been replaced with modern technology fairly easily without impacting the story. Except for one point when they “cross over” to the realms of death. Other than that, everything else could have been avoided by simply planning ahead. In other words, it was a wasted metaphor.
The other thing that bothered me was the Cabals. Sure, they were obviously some kind of metaphor for corporate America and/or organized crime, but at no time was the source of the Cortez Cabal’s fabulous wealth ever explained. They just were really organized and had a lot of money. Period. Ignore the writer behind the curtain. Frankly, I thought that was a shame. It could have been a really neat sub-plot. And, with the title, it was what I was hoping to see more about! Ah, well, at least I can still write my own take on that without worrying about repeating something that’s already been done.
All in all, Industrial Magic was a decent book, but not great. If you can find it at a discount book store, it’s worth getting.

How to Be a Villain: Evil Laughs, Secret Lairs, Master Plans, and More!!!
Yes, this is a real book. No, it is not serious. However, if you’re designing a villain, it’s not a bad place to start. No, seriously! Here in one book are the collected cliches of bad guys. Everything from talking when you should be shooting to the “Rube Goldberg” killing machine. You name the tragic mistake that any and all James Bond villains have made and it’s in this book somewhere. So, in a humorous way, it’s a guidebook for what NOT to do when creating your literary villain. In fact, part of the book is a warning to up-and-coming super villains on what to watch out for in heroes and the big mistakes that the “average” villain makes that costs them their victory.